An Erasure Workshop
What makes a good erasure poem? How can erasure poetry be a means for confrontation and dialogue? How can a poet use feedback to revise a visual poem? Whether someone is new to poetry or an experienced writer, erasing found text can help poets generate visually-engaging work that responds to power with precision and complexity. In this generative erasure workshop, participants will analyze different strategies used in erasure poems, try out these strategies by drafting 2–3 erasure poems of their own, and give and receive feedback on work crafted during the workshop. Readings will include poems by Chase Berggrun, Jen Bervin, jayy dodd, Solmaz Sharif, M. NourbeSe Philip and Srikanth Reddy.
Candace Williams is a black queer nerd living a double life. By day, she’s a sixth-grade humanities educator and robotics coach. By night and subway ride, she’s a poet. Her Spells for Black Wizards was a 2017 TAR Chapbook Series winner and published by the Atlas Review, and futureblack, her first full-length poetry manuscript, was a 2018 National Poetry Series finalist. Her work has appeared in the PEN Poetry Series, Tin House, Hyperallergic and Nepantla: An Anthology for Queer Poets of Color, among other places. She earned her master’s in education from Stanford University and has been awarded fellowships from Cave Canem, Brooklyn Poets and the Fine Arts Work Center in Provincetown.